Showing posts with label Lola. Show all posts
Showing posts with label Lola. Show all posts

Tuesday, April 15, 2014

Tattoo


Lola Hawkes

Santa Fe ws a popular part of town, pretty and eccentric and full of art and culture as it was. This was a part of Anthony Tirado's success-- he'd opened his first tattoo parlor here, and between location, catering to his demographic, and a damn fine hand in art, he was able to open two more parlors around the area as well. He could make enough money to support his out-of-city cousins on this business.

It's this very tattoo parlor, the one that started it all, that Lola Hawkes is hanging out in front of. Behind her the shop is wedged between two other buildings, other businesses leased out-- a salon and a market store, to be precise. The shop front was brick and classic, but the awnings over the window were black and the sign over the door was tall and wood and black as well, the letters in a tall jarring white font declaring the place to be: LA LUNA SONRIENTE TATTOO. Out front there were a ramshackle collection of chairs collected on either side of the purple-painted door. In one of these chairs sat Lola, recognizable by some for different reasons.

She wasn't here getting inked, not as far as anyone could see at least. Dressed for the warm weather, she had on a short-sleeved and short-hemmed dress of thin white-and-black stripes, a light gray cardigan left unbuttoned over top that, and a straw hat atop her head to keep the sun off her. Granted, the sun was quite behind the mountains by this point, but it hadn't been when she'd come out this way.

She was conversing with a tall and very thin man who was getting an octopus tattooed across his chest-- he was here getting the color filled in and sat in a plaid button-up shirt left undone. Her expression was skeptical but relaxed-- the kid wasn't bothering her any so she was content to share the cooling night air with him. If he had it his way they would've shared a hit off his small false cigarette pipe, but she'd hit him with strong skeptical 'Are you kidding me?' and he shrugged it off (apparently it helped his sister's pregnancy, but whatever).

Around the time that the Uktena kinfolk may fall into Samantha Evans's line of sight is the time that the door opens and the tall skinny boy gets called back inside. He bumped fists with Lola and she told him not to cry too hard when he walked back inside.

Sam Evans

The evening is young and pleasant and Sam Evans is walking alone, and like any typical Glass Walker she's holding a cell phone in her hand which she is looking at intently as her thumb works its way swiftly across the lower half of the device. That doesn't mean she's not aware of her surroundings. The kinswoman neatly side-steps a couple headed in her direction and pauses when someone practically bounds down the steps of an upper floor gallery into her. She glances up briefly to shoot the person a look. That look spurs the young woman - a girl, really, out with a group of her friends for who knows what reason - to apologize. Then it's back to the screen for at least a few more steps.

Steps which are made in a pair of mid-calf combat boots. The rest of her outfit consists of shorts and a black t-shirt with a huge skull over the front (the Punisher emblem for those in the know) worn beneath a red plaid flannel shirt converted into a long vest. Her hair is down but tucked behind her ears to reveal the piercings that run from lobe up along the outer cartilage of both ears. Stabbed through her right lobe is a thick black spike. There's a messenger bag slung across her body, the pouch resting against her left hip.

Suddenly she sighs, all the air in her lungs pushed out in a single exhale as she slides the phone into the hip pocket of those denim shorts. Which is when she looks up and sees Lola Hawkes sitting outside of a tattoo parlor. Huh. Increasing speed, she heads for a woman she only properly met about a week and a half ago.

"Lola, hey!" she calls, one corner of her mouth tugging upward in a crooked grin.

Lola Hawkes

Lola really didn't look the type to be hanging out in front of a tattoo parlor, except for the tough exterior one would suppose. Her attire didn't suit the crowd, and the long bare length of her legs left out in the air by the length of her dress didn't have a lick of ink on them. Her hair was twisted into a dense braid that sat on one shoulder, and her stomach was big enough to take up much real estate into her lap when she sat upright as she was doing now.

When Lola's name was called she had been leaning down to retrieve a water bottle from where it was sitting on the ground under her chair. She looked surprised and alert to hear her name, and glanced about with an intent and severe gaze until she found Sam's face and figure coming her way. A face and identity matched to the call, Lola relaxed and leaned back into her chair. One hand lifted in a greeting, but she didn't verbally call back across the distance. Instead, she opted to take a drink of her water.

When Sam was nearer, near enough for speaking anyways, Lola answered.

"Sam, right?" She's not as good at names, but it's probably confirmed one way or another that she's correct. Lola'd continue, unabashed by her own lack of proficiency with remembering names (they stuck with her after a few times). "How's the evening treating ya?" Eyes cut up toward the sky, brief, then back down to the Glasswalker. "Secure, I hope." The moon was full, and their peoples tempers did run quite high on nights like this, after all.

It's worth noting that Lola Hawkes didn't smile to greet Samantha Evans, crooked or otherwise. Her mouth was a straight line, neutral as can be. She didn't seem unfriendly necessarily, though. This was her friendly face.

Sam Evans

To look at the pair of them, it'd be easy to make a lot of assumptions about them. That Samantha is younger, perhaps, because of her height or because of her attire, or the difference between her demeanor and Lola's. Lola is friendly, but a reserved sort of friendly. At least she's not scowling, though probably a scowl wouldn't deter Sam. They survived an ordeal together, of course Sam's at least going to stop by to say hello.

Lola's gaze cuts upward, Sam's stays on the woman in the straw hat. She doesn't need to look up to know what night it is. She was up part of last night watching the eclipse, after all. "About as secure as it can get," she says with a one-shouldered shrug. Then she looks at the sign for the parlor and back to Lola. "Are you waiting to get inked or waiting on someone getting inked?"

Lola Hawkes

The question was an authentic one, and it earned Sam a relaxed, comfortable looking shrug and shake of her head before she gestured toward the purple wooden door with a hitched thumb. "Nah, my cousin Anthony owns the place. I'm waitin' up on him to finish a session, then we're headed out."

She took another drink of her water then went on to clarify: "It's hot as fuck in there. Nice night out here, though."

Another pause, this time for her to glance up the street and wrinkle the bridge of her nose up some. She was a woman of the rural wilds, after all. 'Nice' was a comparative thing between city blocks and the stretching land she called her own. "Well, neverminding the obvious."

She'd next gesture to one of the remaining chairs (there were plenty left to choose from) in front of the shop with a sweep of her water bottle before she leaned sideways (not forward, leaning forward was a goddamn ordeal) to set the bottle back down on the cement. "If you're stayin' around you might as well sit."

Eva Illeshazy

Nor is Éva the sort to hang around in front of a tattoo parlor, and assuredly she is not hanging around anywhere. She is on the street however; half a block away, emerging from a non-descript glass door sandwiched between a headshop and a coffee shop, which must assuredly lead to some sort of generic offices tucked away on the second floor.

The door is closing behind her; she turns around and catches it with the flat of her hand. A stranger comes out behind her: a shaggy-haired man with sharp features and beaten-up leather jacket walks out behind her.

He says something to her.

She lifts her chin, and cants her head in response, listening.

A beat passes and she shakes her head. He slips past her, turns one day down the sidewalk. Éva goes the other, a briefcase head lightly in hand, heels a clipped beat against the sidewalk. Sam and Lola draw her gaze; which is dark and impassive.

Her gaze and the faintest hint of acknowledgment. No more.

She walks on.

Eva Illeshazy

(Fly-by, bed for me!)

Saturday, January 25, 2014

Lola


Calden White

It's the second-to-last day of the 108th annual National Western Stock Show, one of the largest and longest-running livestock shows on the planet. By now most of the stock has already been shown. The auctions have been held, the sales finalized and finished. What remains on these final two days are the crowd-pleasing events, the ones designed for families and tourists and kids: the stock dog competitions, the magic shows, the miniature Hereford exhibitions, and of course: the rodeos.

That's where Saturday, 3pm finds Calden: at the stock show's Coliseum, where a rapidly growing crowd's noise rings off the rafters. It's a shockingly warm day for mid-winter, though rainy and wet outside, but the indoor stadium is brightly lit by dozens of overhead floodlights. Hawkers are roaming the stands with corndogs and bottles of coke. Kids are running up and down the bleachers, riding their parents' shoulders, waving colorful little flags and pennants.

For his part, Calden is exiting the backstage area, calling a good luck! over his shoulder. The lack of a number tacked to the back of his vest excludes him from the ranks of the rodeo cowboys, but someone he knows must be in the competition. He fits his stetson back on his head, looking about to get his bearings -- and then he starts up into the stands, taking the steps two at a time.

Lola Hawkes

Sitting up in the stands is Lola Hawkes. She was never involved in the rodeos herself, despite having grown up in rural Colorado. She existed in a culture where animals were supposed to come to be spooked by her after she passed a particular point in a young werewolf's pubesence. While many of her classmates participated in rodeo events, Lola herself did not.

Calden had discovered her at the goats and sheep exibit. She was dressed for the warmer weather in a wool poncho with traditional southwestern colors and patterns on it, a fitted white T-shirt underneath, and a pair of blue jeans tucked into ankle-height boots. She was wearing a wide-brimmed brown hat on her head to keep the rain at bay, hair in a ponytail at the nape of her neck. She was there by herself, Hector was off doing other things tonight.

He caught her attention somehow, perhaps by approaching, and Lola wound up keeping along with him for the rest of the day. He'd asked if she'd eaten, and she'd said she was about to find food, so they went together.

Want to go to the rodeo? Sure.

So, she now sat in the stands with her hat hung down at the back of her shoulders, dripping rainwater near the feet of the people behind her. She was taking a sip from her bottle of water when Calden reached her. It was offered to him after he'd sat down.

"Your friend's up next?," she'd asked.

Calden White

Tonight's rodeo is the biggest of the entire two-week stretch. Broncs and mutton and even that bastardized and bloodless and barrel-filled version of bullfighting the rodeos call freestyle. The stands are going to be packed to the rafters for that one. This one, the 3:30pm show, is comparatively less crowded. Twenty minutes before showtime, there are still plenty of empty seats.

Calden stops on the way up to buy a couple bottles of coke, plus a handful of corndogs. Making his way back to Lola, who one supposes is either his friend or his acquaintance or at least sort of a colleague in the whole ranches-and-farms business, he hands her one of the drinks and a couple of the 'dogs.

"Thanks, I'm good," he says in response to her offer of water. "Nah, I think he's going to be up a little later, with the rest of the steer wrestlers. My cousin Jimmy, actually. Works on the ranch with me. Just look for Number 63 in a blue shirt.

"What about you? You know anyone in the show?"

Lola Hawkes

Truthfully, whether Calden realized it or not, more people were looking at them and assuming they were some kind of couple. After all, what they were seeing was a handsome man somewhere in the ballpark of his thirties walking to sit beside a woman who was undeniably pregnant-- not very far along, only twenty weeks or so, but visbly apparant none the less, bringing food and drink to share. Lola could pick up on this from a woman in her sixties two rows back smiling down at them. She ignored it in favor of soda and corndogs, though.

"No, I don't. I was just here checking out the livestock. I have half a mind to get a goat, for the milk, but I wouldn't stake shit on the poor dumb thing surviving past four moons before some idiot kills and eats it." These were the hazards of living so close to the Bawn. Lola had to worry about some Garou coming and killing any livestock she had on her land while still riding the high from the Revel.

"I just thought I'd tag along. Haven't seen ya in a while-- not since I found ya at that Silver Fang lady's house." Calden's a perceptive man. Even though the woman on the bench to his left was looking down at the corndogs in her hand and distractedly situating where the coke and water bottle were sitting, there was a weight to her last sentence that would probably prickle the hairs on his skin.

"Thought we could catch up." Following the first bite of her corndog, she added: "Thanks for the corndogs."

Calden White

"Even up north, I can't say I haven't lost a steer or two to one of the ... Cousins." Calden says this with a blend of resignation and amusement. "My tribe knows me, and they know they'll find a warm welcome, a meal and a bed at my house if they need it. Sometimes I guess they can't make it as far as the house before they decide they have to eat. Usually the next morning there'd be a bottle of scotch on my doorstep with a sadface smiley on a note or something, though."

Silver Fang lady's house. A new weight in Lola's tone, and a certain shifting of the mood. Calden, who has until now been watching the happenings down-below with idle interest, glances sideways at his companion.

"Avery," he supplies the name. Maybe there's just a hint of returned weight there too: that Silver Fang lady had, after all, introduced herself. Still; he's willing to let the matter slide and rest. As for the corndogs, "No problem. What's a rodeo without junk food."

Lola Hawkes

What's a rodeo without junk food? he asked. Lola took another bite of corndog, chewed and swallowed before answering: "Just a fucking spectacle."

Under the poncho, the long sleeves of Lola's tee shirt were pushed up to the elbow. The poncho edge rubbed her forearm a little when she reached or moved her arm. While Calden had corrected her with inflection she didn't miss, Lola cast her dark brown eyes his way, but didn't snap at him or throw shade along with her gaze.

"Yeah, Avery," she'd simply agreed. "You know, she sent me a fuckin' apology package with all these treats in it? Like, apologizing for correcting my tone." Something about the way she told the two sentence anecdote made it seem as though she'd almost forgotten that it happened in the first place. Frankly, between the first few weeks of December and now, a lot had happened to push that particular memory to the back of her mind.

Lola picked up the soda cup and took a drink, then finally settled back with the heel of her hand on the back edge of the bench. She leaned her weight through her arm and cast her eyes down on the rodeo ring, waiting for the next event to begin.

"Look, man, I don't wanna rain on your parade or nothing...."

It was probably the worst start to a sentence she could have chosen. It was a guarantee that she was going to be doing exactly that.

"...But you two ain't being fucking subtle or anything. And you know it's gonna cause contention."

Éva Illésházy

Down in front, near the barricades surrounding the ring, a dark haired woman leans forward, her elbows resting on the metal fencing. Unlike most of the fans in the colliseum, she is not dressed casually. She does not wear boots, let alone cowboy boots, nor does she sport any sort of chapeau. Glossy black hair is pulled back from her features and twisted into a loose chignon - which is distinctly formal for the venue and distinctly casual for the woman - and a dark, tailored suit jacket is stretched across her shoulders.

She is in close conversion with a dark-haired man, who seems rather intent on the stock at just that that moment. Who gestures voluobly in the direction of the chute. He is dressed rather more appropriately for the venue and - yet - somehow he does not quite fit.

There is no reason for Lola or Calden to mark the pair of strangers in the crowd, except when the woman turns her head to the side and she is visible in profile, her winged brows lifting in the sketch of an inquiry that drifts past his shoulders, up the metal steps, past the marching rows of folding seats toward the boxes high above. She's taking in the crowd too, a glancing survey that rises past Lola and Calden without fully registering them. Something, though, pings her radar because her eyes drift back down, searching.

If she catches Calden's eyes, she offers an ironic curl of a half-smile and a tip of her head.

--

Soon enough the stranger at her side turns away from the stock, and the pair of them are climbing the steps from ground level, a path that will take them right past Calden and Lola.

Calden White

Ah. So the topic of Avery was not to be left undisturbed after all. Though Lola fixes her eyes on the rodeo ring, Calden is now looking rather directly at her. She doesn't want to rain on his parade. He laughs a little at that, dryly, because: yes. It's about as auspicious a start to a sentence as no offense, but...

A moment later he follows her eyes down the ring after all. The dirt has been raked flat. The first contestant is already behind the gate, checking the tack on his horse one more time. The overhead loudspeakers pop loudly enough to make the kids in the crowd flinch. Then, pretty much without warning, they start blasting good old American rock 'n roll.

They're amping the crowd up. They're turning the excitement up to eleven, and in response a cheer goes up from the stands. Whistles, applause, stomping feet.

Amidst the controlled chaos, Calden is a focal point of calm. He takes a bite of his corndog, mullingly, and then turns back to Lola. "I won't say the possibility of controversy never crossed my mind," he says. "My family's been with Stag longer than we can remember, and Avery is a pureborn Silver Fang. But I suppose I've just decided to cross the bridges as they come. And so far, you're the only one who's raised the issue -- at least to me.

"Which leads me to ask: are you going to be the source of contention, Lola?"

--

A beat of a held gaze. Then he looks down the stands again, and here is where he catches sight of Eva Illeshazy, who -- in her suit jacket, in her lack of flannel and denim and chapeau -- is as singular a figure as can be.

His smile back is perhaps a touch strained. But wry. And as Eva and her companion start climbing the stands, Calden tips his hat back on his brow and straightens a little in his seat.

"Have you met Eva Illeshazy?" he asks Lola.

Lola Hawkes

She flinched along with children when the loud music started, and scowled at the fact that it had started her heart to thump too hard in her chest once or twice. The baby flip-twisted at the loud sound as well, and Lola tucked an arm under her poncho to push at her stomach with the heel of her hand a little. Through the noise, Calden turned to fix a stare on her and explained that they would cross the bridge when they got there.

The question that followed had Lola's brow flexing into a frown in the Fianna Kinfolk's direction. He held her gaze, and naturally the Kinfolk refused to be the first to blink. When he looked down again, Lola kept her eyes on the side of his head, at cheekbone and ear, and wrinkled her nose a little before answering. "If I were Trueborn, I would be. Given that this ain't the case, no one will hear me if I yell about it anyways."

There's bitterness there to her words, but Calden will get the feeling that she's still trying to find a way to not let that stop her anyways. He may need to worry about her.

But then, there's a well-dressed Shadow Lord Kinfolk that both of them recognized, walking up the stairs with a man dressed the part but not rough enough looking to really fit the scene. Lola looked at the both of them, then nodded to Calden's question. "Yeah, a couple times."

She'd raise a hand to hail a greeting to Eva, but didn't say anything to verbally greet.

Éva Illésházy

It isn't that her companion is not rough looking. He is rough looking. He's just not cowboy-rough. Not range-rough: no, her companion's roughness has an entirely different sort of cast. A dark-haired main with a blunt and mildly pockmarked face. Round but not childish, with a pair of heavy dark eyes and the sort of mouth a certain kind of author might call sensual, while another would characterize as cruel.

He is turning to say something over his shoulder to Éva when his phone rings, and he starts to pat down his pockets seeking it out. A blackberry comes out of his right breast pocket, old school shit, complete with its full qwerty keyboard and his pressing to answer it with a blunt thumb, shrugging his way into an explanation or apology. Éva settles a hand on the small of his back to catch his attention before he barrels off up the steps, and indicates - quietly and non-verbally beneath the blasting of Kid Rock to be followed by Skynyrd, no doubt, because what is a rodea without Free Bird - that he should go.

That she will catch up.

And off he goes, seeking some relief from the thunderous music, the roar of the crowd higher up. She follows at a more leisurely pace, crisp in a pencil skirt and black suede pumps, pausing at their level, stepping into the aisle from the stairs so as not to block traffic.

"Calden." A sketch of her dark eyes over the tension evident in his shoulders. Perhaps even in the set of his mouth. "Ms. Hawkes."

Calden White

"She's kin to the Shadow Lords," Calden says. Just a hint of an edge there -- as though in a more immature moment he might challenge Lola to complain about his choice of friends as well.

Then Eva is there, and Eva's somewhat disreputable looking friend is seeking a stronger cell signal and a refuge from Kid Rock, and Calden rises to his feet in the presence of A Lady, or perhaps just to let the lady slip in past his knees to take a seat.

"Eva," he returns, some of that tension ebbing into warm humor, "fancy seeing you here. I can't even begin to make sense of your presence. Or, for that matter, why you're dressed for court."

Lola Hawkes

"I know what tribe she is," she shot back at Calden, and the unspoken curse words that she nearly flavored that statement with were caught at the back of her teeth. She sounds impatient, and looks it too, but then the Fianna was standing to greet the business woman, and the Shadow Lord was greeting the both of them.

Lola nodded her head to Eva to return the greeting. "Eva." A name, simple and plain, to match the 'Ms. Hawkes' she'd been met with. Lola hasn't once tried to pronounce the Shadow Lord's surname, and had no plans in trying. She was fortunate that Hector's father had a short and simple last name, she would've had a very difficult time learning to say 'Bhattacharyya'.

Whatever tension there was that was fizzling in and out between her and Calden was left to the side for now. She let herself slide back into quiet to let the other two catch up.

Éva Illésházy

She does slip past his knees to take a seat, turning as she does to drop the leather attaché case she is carrying on her right shoulder to the rather sticky aluminum beneath their collective feet. It has already accumulated a skin if discarded peanut shells and spilled co-cola, which will only worsen as the night lengthens.

"Don't try." Éva counsels Calden, when he remarks that he cannot begin to make sense of her presence or her wardrobe. There is still that ironic twist to her mouth as she lowers herself to the molded plastic seat beside the pair. Conveniently empty still, even as the crowd of spectators begins to thicken. "I'm on the clock, though. And when I'm on the clock I try to dress the part."

A lingering glance from Calden to Lola, and back again, before she drops her gaze to the rodeo ring. "Do you both have - " a mild gesture down toward the groomed floor, which is rather charming in its helpless wordlessness. " - animals entered?"

Calden White

"Yeah," Calden quips, "I've got Ian in the running." And -- at her likely blank look -- "Remember that Fianna shindig last year? He was the one with the white hat. And the really over the top Western get-up."

Because of course he was. Why else would he be hurtling himself off horses onto steers? Though, coming from Calden -- in boots and hat, jeans and vest -- the gentle ribbing of his cousin's over the top get-up hits just the slightest note of irony.

"What about you? Your client a fan of rodeos?"

Lola Hawkes

When asked if she had any animals entered, Lola shook her head and stated, simply: "I don't keep livestock."

Though the man that Eva was with didn't seem to fit in the crowd, Lola wasn't concerned with where he had gone or why he had brought the Shadow Lord Kinfolk here on work. That was their business, as far as she was concerned. Provided no monsters tried to make their way out onto the rodeo arena, Lola probably wouldn't be getting up out of her seat for the next little while.

Calden had mentioned that Ian was entered, and Lola smirked a little to herself but didn't say anything. She remembered Ian from the night spent out at the White ranch. She liked the guy.

The Fianna was a better mouthpiece than she was, so Lola contented herself with finishing the corndog she'd begun eating and shifting her eyes back out to the arena to watch the show. Her ear was keened in on the other two Kinfolk, though.

Éva Illésházy

Ian in the running does indeed draw a blank look, and the lilt of a mildly arching brow. Éva's gaze skews sideways to double-check the Calden's eyes for a glint of humor to suggest that he is having her on, but no. The guy in the over-the-top Western get-up.

"Ahh," recognition sparked with bemusement. Naturally, she remembers him. Naturally, her dark eyes touch with delicate precision on Calden's stetson and Calden's boots. Again, the edge of her mouth is curved with a quietly supple humor. "He was dressed quite stylishly over Labor Day, as I recall.

"And my client," a brief glance back over her shoulder, and up the long flight of stairs climbing toward the skyboxes. "finds himself quite enamored of the Western lifestyle. I suppose he is the living embodiment of the cliché when in Rome."

Éva Illésházy

Then, to Lola, " - no livestock? I thought you owned a ranch?"

Calden White

"Well, he's dressed stylishly today too," Calden replies -- equal measures affection and wryness.

His gaze skates up the long incline to the skyboxes again, then back. "Not a local, then?" Humor downright twinkles in his eyes. "I would have never guessed. And -- though I suspect you're going to tell me it's attorney-client privileged and also none of my damn business -- I just have to ask you what that guy did. Because right now, my imagination is filling in the blanks with concrete shoes and paper-wrapped fish arriving by bike courier."

Eva asks Lola about her agricultural practices, then, and Calden takes the momentary lull on his end of the conversation to take a big bite of his corndog. And also, just maybe, to stew a little more on the previous topic.

Lola Hawkes

On the surface, Lola appears to have let the topic that she and Calden were butting heads at go. It wasn't appropriate for company, and she wasn't going to shame herself or her friend (and yes, she would call him that, rough and prickly though her relationship with and behavior toward him may be). Of course, in her mind she was probably still ruminating on it a little-- keeping her temper consciously low and plotting her next manner of approach.

Eva inquired about the land she owned, and Lola looked up at her and blinked, then shook her head. More rainwater that was caught in the brim of her hat splashed on the floors behind her. As far as she figured, she was doing the sticky surface a favor.

"No. If I tried to keep animals the poor dumb things would probably die within a year. I live too close to the mountains, if you know what I mean." Her home was right along the edge of the Bawn, and some of the property in her name crossed into it as well. She's never tried to keep animals before out of a sense of practicality and frugality alike. She glanced up at Eva and Calden both to speak, but now cast her eyes down to the arena once more.

She then added:

"I've been entertaining the idea of owning a goat, though. For the milk."

Éva Illésházy

"Technically," Éva returns with a quiet equanimity that sparks a certain grim humor in her eyes. "I am representing his son. And it is a matter of public record that Raul has been charged by the United States Attorney with racketeering and felony murder. Since you could easily read that in the paper, I'm comfortable in asserting that naming the actual charges is not covered by attorney-client privilege.

"Everything else, though."

--

Then Lola explains that she doesn't keep animals. Éva lifts her brows in a show of reciprocation: yes, she's listening. She understands, the non-verbal response, though in truth Lola's unspoken, half-spoken considerations about the dangers of having livestock near the Caern would not have occurred to Éva, and even beneath the supple thread of kin-code, she does not precisely grasp the nature of Lola's concern. Just makes an interested noise, a sort of polite placeholder, which is repeated when Lola remarks that she is thinking about getting a goat.

For the milk.

This time, though. "Ahh."

Éva has never considered getting a goat. For any reason.

And she might go on making small talk about goats, except - there is Calden biting his corndog like that and Lola beside them and the strange, unstudied tension she sensed earlier, from down below.

"Excuse me - " she says then, quite frankly and quietly to the both of them. " - did I interrupt something? If I did, I'm happy to leave to you it and kill time by picking out a few souvenirs for the children," which is followed by a brief aside to Calden, "Ellie wanted to come but I'd rather men like that not know that I have family."

Calden White

There is, indeed, a certain tension beneath the surface. It puts a touch of restlessness into Calden: one knee bouncing up and down as he gnaws on his corndog, scans the dirt arena below for some sign of the show's start. He's even forgotten to offer one of the corndogs -- there are two or three more -- to Eva, even after she's taken a seat beside them.

To the goats, which is surely a topic he has more expertise in than either of his companions, he has only a single comment: "They're pretty easy to keep. They can be hard to milk, though. Testy."

And then a sort of appraising glance up the stairs at Eva's client as she reveals -- to the limits of privilege, anyway -- the nature of her business with the man and his son, and his laundry list of sins.

"I don't blame you." Less distracted, that. He does understand that, and better than most. The loyalty to one's family. The desire to protect. The protection of anonymity. All that. "Maybe you could bring her tomorrow. They've got magic shows and another rodeo planned."

A beat, then. A hesitation, the corners of his eyes crinkling as he squints in thought. Then a quick shake of his rather shaggy head -- beard-bristle untrimmed today, thick auburnish hair getting to the point of desperately-in-need-of-a-haircut. A decision in the form of information:

"You didn't interrupt. Lola was just ... reminding me that certain less liberal factions might find my association with Miss Chase objectionable."

Lola Hawkes

The question posed about interrupting was left fielded to Calden. Lola didn't answer, but she did look sharply up at Eva first, then to the Fianna kinsman that she had spent the afternoon tagging around with. Instead of speaking, she picked up her cup and took a drink of the Coke.

When Calden decided to state openly enough what he and Lola were being prickly at one another about, the Kinswoman's dark eyebrows rose in mild surprise and consideration. She huffed a little and leaned back so she could openly, unabashedly adjust the waistband of her jeans where it was sitting low on her stomach.

"Just lookin' out," she followed up, as though she had to defend herself.

Éva Illésházy

"She might have more fun with you," Éva remarks, quietly, back to Calden. "If you're headed back this way. You might actually have more fun with her, too."

A brief glance at Lola; it is not precisely conspiratorial, though were they better acquainted it could be read as such. There is humor beneath it, but that humor is banked and supple and difficult to read in the quiet reflection of her dark eyes. Unless one knows her well enough to have read it there before. "I like to lend my children out now and then, to friends. All the pleasures, none of the responsibilities.

"Calden if you ever have a hankering to see a Disney film in the theaters - "

Then, Calden explains precisely the current of tension between the two of them that Éva sensed beneath the surface. Tasted like the metallic hum of a still-live nine-volt battery against the tongue.

And Lola says she was just lookin' out.

Éva arches a brow, glancing back to Lola from Calden as she inhales, low and quiet. "Just looking out? Or perhaps expressing some more personal concerns?"

A glance back at Calden's rugged profile, a moment of silent consideration. Beneath the road of the sound system, the blare of some bizarre country rap-rock song, they have plenty of privacy for their conversation, and Éva's voice is pitched to carry just to the pair of them.

"Ellie's father was not my blood. I don't regret her for a minute."

Lola Hawkes

"Ya don't regret 'em after they happen," Lola explained to Eva curtly. Her nose had wrinkled, and her expression had gone quite sour. The remaining two corndogs that were in the little paper basket were abandoned on the bench when Lola stood up. The soda was left behind too. The Uktena mountain woman did pick up her bottle of water as she rose, though, and fixed a look onto the older woman that was flavored with stubborn resolve and only a hint of offense taken, however unjustified it probably was.

"But this ain't a people of much forgiveness. And we stick to the laws that we have. It's stirrin' up trouble, and that's gonna come right down on Tamsin's head for not looking out for you." Some point in the brutishly borderline-forceful manner of speaking, Lola had switched from directing her words at Eva to looking straight at Calden, as though she had every reason to be upset with him.

Even though it really was none of her god damned business.

"Excuse me," she said curtly to the pair, and made her way to the aisle to see herself on out.

[[ Bed (and the man I share it with) are calling. Thanks for the scene you two! ]]

Calden White

There; that defensiveness again, which -- as it had Avery several months before -- makes Calden feel momentarily remorseful. More so when Eva speaks and, one might argue, favors Calden in her argument.

But then, Lola again. Snapping, fiery, thoroughly sour-faced Lola, instantly sparking off some deepburied thread of fire in Calden himself. His back straightens and his mouth tightens and he is very clearly on the verge of telling Lola where she could shove her tut-tutting

when

Lola

brings Tamsin up. Quite out of the blue, really. It takes Calden a moment to work backwards through the relationships in his mind. Lola, mated to Hector. Hector, packed with Tamsin. Tamsin, blood of his blood.

Truth is -- shamefully enough for a man who prides himself on his close ties to family and kin and tribe -- Calden had sort of forgotten about Tamsin. He had hardly spared her a thought since she first showed up on his doorstep, one of the many young Stagblooded wolves drifting through looking for a friendly face and a pillow on which to lay her head. Well no; there was that other incident, when she'd invited her whole pack to share his hospitality, but the outcome of that only makes Calden feel a little more ashamed that he hasn't seen or spoken to her since. That he'd all but forgotten that he does, in fact, know at least one of Stag's wolves from the Caern of Forgotten Questions.

There's really no time to reply to Lola, though. No time to compromise or argue or discuss or -- any of it. The woman gets up, she excuses herself, she departs. Calden has the good grace not to attempt false pleasantries. He watches her go mutely, then stares at the dirt ring for a moment.

Turns back to Eva.

"I'm sorry," he says. "That was ... I consider you both friends, and I thought it'd be better to just address the elephant in the room. But all I managed to do was put both of you in a very awkward situation."

Éva Illésházy

For her part, hardly reacts to Lola's prickliness. Indeed, she hardly seems to take note of it. There's no air of offense - nothing curt, nothing sour, nothing smoldering, nothing sparking - in her eyes in response to Lola's brief explanation and sudden retreat. Her expression remains mild, a little bit distant, and otherwise almost wholly interior and entirely private.

Until, at least, Calden turns to her and offers an apology she does not require and does especially acknowledge. His voice, though, draws her gaze back into focus on his countenance.

"She's wrong, you know," Éva says then, rather musingly, the words themselves humming quiet in the back of her throat.

Calden White

"Is she?" He remembers the corndogs at last; picks up that basket and offers them ruefully to Eva. "She's right about one thing at least: if someone decides to blow it out of proportion, Tamsin's going to get the brunt of it. And Avery."

Éva Illésházy

"I meant the first line." Éva returns with a quiet breath of laughter; looking away from him, now. Back down over the crowd toward the ring, now brilliantly illuminated, at the center. Note: she does not disagree with anything he says to her; but also, she does not address it directly. Not yet.

"You do regret them after.

"Just not for long."

Calden White

Furrow-browed, Calden turns back to her. Corndogs forgotten. Spectacle below ignored, even as the announcer begins to boom from the overhead loudspeakers.

"You regretted Ellie?" There's no accusation in his tone -- but there is surprise.

Éva Illésházy

"Deeply." Éva returns, with a quiet equanimity, this time turning to meet and hold his eyes. Her frankness has a different gauge and a different caliber than Lola's. It is stripped-bare, isn't it? Flesh and bone.

"Until the first time they put her in my arms."

An inhale, a lift of her chin and the banked awareness of her eyes.

"But, sometimes, even after."

Calden White

Just a small pause, their subject matter incongruous with the noise, the activity, the cowboying that Ellie likes so much all around. He didn't expect an answer like that. Having no children of his own yet, Calden has yet to comprehend the paradox of unconditional love that exists alongside occasional -- deep -- regret.

"Can I ask why?"

Éva Illésházy

"You can ask." she returns, exhaling a sharp, quiet breath through her nostrils. "It's complicated," Voice low, " - and I'm not sure that I can do the complexities any particular justice."

And it is the strangest place for such confessions. The public address announcer has an auctioneer's big voice and the cadence of a voice-over artist for Monster Truck shows and the crowd is starting to get into the competition down below, but the action is strange, the short, intense bursts followed by the sort of baseball lull as the next contestants and beasts are readied for their return into the ring and so there are always people coming and going, up in front and down in back, carrying past corn dogs and 32 ounce beers and plates full of funnel cakes. Cracking open roasted peanuts with their split thumbnails and flicking the spent shells to the floor.

And yet,

"The pregnancy was accidental. Her father was gone before I knew I was late. Let alone -

"I expect that he died before she was born, never knowing that he was to be a father, never knowing that he had a daughter on the way, though perhaps he's still out there, somewhere.

"I had my career to consider. I still have my career to consider, and the world I inhabit more generally, and the world she inhabits, and the world she will inherit.

"Really, I wanted as little to do with Them as possible, but after she came along, I knew I could no longer hold myself aloof. Providing only what was asked, when it was requested. I had to consider the world. Her world, and not just myself. I had to stop drinking for nine months.

"And then another nine.

"And yet another nine." Wry and sure. "I must handle friends, and lovers, and acquaintances with remarkable care. The deed to my own home is not in my name, so that men that like," a tip of her head, behind them, "never find them.

"Everything changes. And sometimes you wonder: what if it hadn't?

"What then? But this is where you are. And this where you live.

"And this is what you live with.

"And usually, that's enough."

Calden White

Listening to Eva, Calden realizes there are some commonalities between her and the recently-departed Lola. A common theme: everything changes. A common question lingering at the back of the mind: what if it hadn't?

Differences too, though. Eva -- perhaps by virtue of her pragmatic mind, her case-closing intellect, or simply the fifteen or twenty years she has on Lola -- has found it possible to look beyond that question. To see through the doubt and find the truth behind it, which like all truths is cold and hard as concrete.

This is what you live with. This is the hand you were dealt. You can take it or leave it as you will, but it will never leave you.

--

A small quiet afterward. The first contestant bursting out of the gates; the horse tightly controlled between his knees, hooves tearing up clods of earth. The lasso overhead, those wide, archetypical circles. The bolting calf, the sail of the rope, the expert turn of the wrist, tightening of the forearm; a juvenile bovine thudding to the ground, not so much lowing as bawling.

Calden isn't watching. There's still some place for the old-fashioned tricks of the old-fashioned cowboy. There are still days when he rides out on the range, wraps a rope around a calf, hauls it eye-rolling and kicking up the side of some muddy incline. But more and more his trade, like all others, is modernizing. Industrializing. Trucks and winches, electronic inventories. Some of his more precious stock -- the breeding bulls, for one -- are even radio-chipped. So while the circus of the old west cowboy plays out below, he rolls his bottle of coke between his palms. He thinks on what Eva said; raises his eyes to her face.

"On those rare occasions when it's not enough," he says, "if you ever want to talk to another grownup who won't judge you for a bad mother or scold you for dereliction of duty -- " a touch of deliberate humor here, " -- you know how to get ahold of me."

Éva Illésházy

Éva glances up again; past him, toward those skyboxes. Insulated from the crowd noise and the blare of the soundsystem, where business can be conducted and stock can be quietly sold, and franchises, and corporations, and cocaine, and empires.

"Thank you, Calden." Wry, quiet, grateful. Already standing. If he looks back and follows her line of sight over his shoulder, he will see her client. Her client's father has emerged from the boxes at the top of the stairs.

"I appreciate that. I do. I may take you up on that, too.

"Perhaps sooner than you think. Excuse me."

And so, he stands. She slips past him, incongruous in her court clothes, and starts to climb.

Sunday, November 24, 2013

Susan from Billing


Erich Storm's Teeth

It is well after business hours, so at least there's that. Still doubtlessly there are people Working Late in Eva's law offices despite that it is 1) Saturday and 2) Saturday night. So perhaps the young savage emerging from the emergency stairwell from somewhere above-stairs still manages to draw a glance or two as he makes his way through the halls, past the partners' offices with their nice oaken doors and nice mahogany furniture, past the cubicle farm where the lessers sit, all the way to the tiny little mecca of the kitchen.

There is a Keurig machine there, and lots of those little K-cup packs tucked up in the cupboard above. Erich has long since discovered the stash. He pops a nice Tully's French Roast in, then raids the fridge for pastries. Maybe they have apple turnovers. Or if not, maybe he can at least make himself a PB&J.

Éva Illésházy

This time of year there are always pastries. A constant supply of them baked by the staff or brought in by clients or vendors as holiday gifts. Never forget the breadbox full of bagels and the tiny little packets of peanut butter in individual containers, the sort one usually finds on the breakfast buffets in medium-rate hotels, the sort with a waffle machine and a tiny fridge full of tiny yogurt containers and the saddest selection of Red Delicious apples you'll see this side of Wal-Mart.

There is also - somewhere in that fridge - a tuna sandwich named Kevin.

The door to the kitchen opens behind Erich while the Keurig is still warming up. It drifts off to sleep when left unattended over the weekend, so he has an extra minute or two to spend perusing the contents of the fridge before it is time to pop in the Tully's.

"You've made yourself at home." A woman's voice, mildly ironic but without asperity. "I trust you've found everything you require?"

Lola Hawkes

This time of night Lola would typically be back around The Homestead by now, bringing in a final armful of wood for the furnace or trying to teach Hector to speak Spanish while he, in return, tried to teach her how to pluck chords out on a guitar. She'd been in the city visiting her cousin, though, sharing a cup of something warm while she forced information about the Nation and their current events down the reluctant relative's throat. As she was driving back home a thought occurred to her, a snap decision was made, and the rusted 1980-something truck ventured to the heart of the city rather than making its way to the freeway.

Some twenty minutes later, Lola had convinced the front security man (thankfully a Kinfolk) to let her in even though she didn't have a key card to badge her way through the doors. Somehow, she'd also gotten him to help her check the cameras and figure out approximately Erich had been most recently, as the Uktena was hunting for him specifically and was unwilling to go trolling an entire skyscraper looking for him.

The Kinsman assisted by checking cameras with a reluctant frown on his face, but was able to pinpoint a broad-shouldered blond-headed figure cutting across a screen in the last ten minutes and directed Lola which floor to go to. She thanked him gruffly (although there was nothing personal about it) and was on her way.

This is how she ends up making her way through the entrance of the law firm that Eva worked at, looking some mix between cautious and very self assured, but clearly unprepared for how large the office that she'd stepped into was. Desks, workspaces, offices, computers.... It seemed a maze to her. So, slow and with a frown etched into her face, Lola's hands went into the pockets of her open coat and she started to stalk along the perimeter of the office with half the lights turned off that she'd found her way into, not saying a word and hunting with her eyes and ears instead.

Erich Storm's Teeth

Erich yelps.

He not only yelps, he fumbles with the two K-cups he has in hand, because obviously he's decided to brew himself not one but two cups of Eva's firm's coffee. Also he has a little paper plate stacked with two apple turnovers, a lemon bar, and two brownie bites.

So yes. He's made himself at home. And found everything requires. Once the fumbling is under control and the K-cups are picked up off the floor, he turns to Eva.

"You scared the crap out of me! I thought Susan from Billing, who said she was going to call security next time she saw me stealing food. I mean, sharing food."

Erich Storm's Teeth

[I FORGOT ERICH ONLY EATS MEAT. his plate is actually stacked with those hillshire farm sausages and stuff.]

Erich Storm's Teeth

[fuck my life. i meant HICKORY farms.]

Éva Illésházy

"Susan from Billing has no reason to be here after dark on a Saturday night. I'm sure she has a date with a Lifetime Original Movie and a bowl of popcorn tonight, and has to be up early for mass in the morning."

The kinswoman's attire is decidedly more evening than weekend tonight. She wears a bodyskimming little black dress with a cashmere wrap thrown over her bare arms against the office chill. The deep, blooded red of Mozambique garnets at her ears and her throat. She's barefoot, though.

Must have kicked off her somewhere in her office.

"I will make you a deal, though. If you confine your commissary raids to the opposite of ordinary work hours, I will endeavour to ensure that whatever you require is available, when you require it.

"And, Erich?" The brief, dark grace of her eyes on his profile. The slicing edge of an incipient - something. Call it a smile. "You're a Shadow Lord. I refuse to believe that I frightened you."

Lola Hawkes

Somewhere past a few rows of flimsy temporary walls and desks lined with drab pictures of marriages and children and pets, voices start to leak their way into the hallway. Lola's steps aren't loud, she's wearing simple soft-soled white sneakers instead of heavy boots today. Boots are best for hiking, for traversing the terrain, but on pavement and sidewalks and tiled floors sneakers were just the better option all around.

Eva's expressing that she doesn't believe she frightened Erich when Lola wraps her way around into the open doorway of the kitchenette. She has no business being here, and it would be no doubt startling for either of the Shadow Lords to see the vaugely familiar face there. All the same, Lola stands in the doorway like she has every right to be there, one hand on the door frame and the other resting in the pocket of the simple open black jacket that she was wearing. Under that she had a white T-shirt with a screenprint image of something colorful or another on the front of it, and the shirt was tucked into the high waistband of a navy blue cotton skirt that she wore, which was stitched in a way to flow out from the body without being drastic, and the hem stopped at the middle of her shins.

Jeans weren't cutting it for her these days-- she only had one pair left that would button up in any comfortable way, and even then leaning or bending while wearing them was uncomfortable. Her dense mass of black hair was in a knot at the nape of her neck, and her cheeks and nose were still just a touch reddened from the cool outside.

Her expression was only the tiniest bit surprised-- for some reason she hadn't quite expected to see Eva there. But all the same, she jerks her chin up in greeting to the both of them.

"Evenin'."

Erich Storm's Teeth

"Yeah well," Erich looks a little uncomfortable, "I guess I'm not a very good Shadow Lord. Anyway, you didn't scare me. The apparition of Susan from Billing scared me." He scans her for a beat, and then his brain-mouth filter fails again: "Why are you dressed like that, anyway? Or well. Why are you here, dressed like that?"

Lola appears. If she looks surprised, Erich looks doubly so. Then Erich looks sort of disgruntled.

"Hi," he says, a little stiffly.

Éva Illésházy

"I'm here because Congressman Wildborn's nephew was arrested for DUI and possession with intent to distribute and I intend to have him out before sunrise."

A quiet huff.

"I'm dressed like this - "

Whatever she was going to say (she is a Shadow Lord, she was going to say nothing) is forestalled, as Lola appears in the dark offices, in the hall outside the kitchen. The floor is virtually empty at this hour, though a few industrious, foolhardy, or masochistic associates are no doubt holed up in their offices. Those with a hope of reaching 2000 billable hours for the year, anyway. The rest have given up.

A brief, winging look from Erich to Lola, and back again. Her finely arched brows rise in an elegant curl of query.

"Good evening. May I help you?"

Lola Hawkes

[[ Sorry about that! Man got home and had to check some stuff. Typing now! ]]

Lola Hawkes

Lola had clearly surprised the pair of them, although for one the expression of surprise is clear and for the other it's more felt, assumed, figured than anything else. Erich's greeting was stiff, naturally, and Eva asked if she needed some sort of help from her. Lola's dark eyes cast from Kinfolk to Garou. She didn't smile to either of them, but greeted the pair of them none the less.

First, to Eva: "No, thanks though. I'm here huntin' for him--" She nodded her head toward Erich when she said this, then continued-- "though I wasn't sure if you ever heard 'bout what happened with that Nina gal or not?

Second, to Erich: "Ya got a minute?"

Erich Storm's Teeth

"I hope his uncle's paying you really well for coming to save his ass instead of enjoying whatever it is you dressed up for."

He glances at Lola again. And, heart-on-sleeve creature that he is, he frowns again. At least he doesn't yell NO and run off somewhere, though. He just gathers up his yummies and his coffee.

"Whatever you wanna say to me, you can say in front of my tribeswoman." Well isn't he just the Thunder loyalist tonight. "Let's go back upstairs, though. C'mon, if we take the stairs it's quicker than walking all the way to the elevators and waiting."

Milton Kegler

"No need to get up!" He says passing security. "I got this!" In this world there are doers, and there are... Not doers! Milton is one of the first, and in this case what he was DOING was walking and he sure as fuck didn't need some security guard telling him how to walk! This was his life and he would live it his way without the man telling him how to live it!

Soon enough he was onto the elevator and headed up, up, up to... Well, see who might be around. Someone's around right? This place wasn't exactly the kinda place you could abandon, not with the great white tentacle living far below them! Nope, this place was an active threat that required a garou presence so... Milton figured he'd find an army in the section set away for the garou. However, there was a hint of surprise on his face when he found the place empty.

"Uhm... Hello?" He calls out softly as he steps off the elevator and begins wandering around. Clearly this was not a Glasswalker operation, shit would have been handled, organized, and there would be teams up here even now planning the next set of steps for the folks in this city. Hmm... Children of Gaia are running the show maybe? It's hard to say, but Milton wasn't gonna give up that easy, there had to be someone around here tonight!

Éva Illésházy

"His uncle is not paying me overmuch." Erich's tribeswoman replies, her voice low and quite nearly instructive. Cool, assuredly, quite as cool as her glance when Lola allows that she has found her way into the offices of Éva's law firm because she was looking for Erich.

A glance then, at the Ahroun's profile, as he frowns so openly, a plate of smoked sausages and a double-mug of Keurig coffee in hand.

"But he will owe me."

Some things, after all, are more valuable than money.

Family. One's good name.

Favors, assuredly.

"The back stairwell is around the corner."

That instruction is for Lola. Éva's reasons for accompanying the duo are her own, but accompany them she does: out the door of the kitchen, to the back stairs, echoing and industrial. And up and up and up.

Lola Hawkes

Erich explains that anything Lola needs to say to him can be said in front of Eva, and that they should head upstairs. Lola glanced to the plate of smoked and dried meats and the two cups of coffee that Erich was managing to balance and raised one expressive eyebrow just a little, but her attention was pulled away by the older Kinswoman who explained they could use the back stairwell that was that-a-way, around the corner.

Lola shrugged one shoulder and stepped back out of the doorway, and would wait for the pair to pass before bringing up the rear and following to the stairwell.

She doesn't wait to start talking. Apparently she was completely comfortable with having her conversation with Eva around. If there was one thing that Lola was unfamiliar with (up until very recent events, at least), it was a solid sense of shame.

"I was gonna wait 'till the moon was thinner, but I was in town already," she begins explaining, and catches the door from whoever passed before her when they enter into the stairwell and start making their way upstairs. "I owe you an apology, man. I shouldn't have pushed ya like I did."

Erich Storm's Teeth

Well, color Erich surprised. Not so surprised that he drops his coffee and sausage plate down the stairs, but -- surprised enough that, marching up ahead of the kinswomen, he turns and kind of just ... looks surprisedly at Lola.

"Wow." He sounds genuinely impressed. And maybe Eva, who thinks in terms of what people owe her and what those favors could amount to in the future, also thinks Erich is totally wasting a chance to hold this over Lola for some future gain, but -- "That was pretty cool how you just owned that. I respect the guts that took.

"And well. I'm pretty sure I had a part in escalating that too. Like I'm pretty sure I jumped down your throat a couple times. So. I'm sorry I didn't even try to make peace or anything."

Éva Illésházy

They walk that brief stretch of hall to the stairwell. Éva opens the door, Lola is bringing up the rear. But before the security door snaps closed behind them, the eerie, almost rather angular sound of a phone ringing in a silent office. Just the rush of forced air from the furnace, the hum of the electronics. The whirr of some machinery, somewhere far away.

Still, that ring. Éva snaps her head up, pauses on the rough, concrete stairs, a narrow frown knit between her brows.

"It sounds like the two of you can work this out own your own." Mildly spoken, all told. "If you'll excuse me, I do have to get that. Good night."

Lola Hawkes

Lola had just let go of the door to let it smack closed behind her when Eva declared that she needed to go get the ringing door. Erich was already partway up the first half-flight of stairs. So, the Uktena snatched the door by its handle and held it back open for Eva, and waited until the woman had passed through before letting it close again. She provided Eva with an off-handed kind of: "Goodnight, then," before the heavy security door thwacked back into place in its frame and the pair born under the Full Moon were left to ascend the staircase as a duo instead.

Erich was clearly surprised by what Lola had to say. Perhaps he thought she was seeking round two, or that she was going to try and better define the ground that she was trying to stand on when they'd gotten into their argument a week ago. He says that the's impressed with her and apologizes as well. Lola just looked up at him evenly, but didn't offer any smiles.

Rather, she began that climb up the staircase and nodded her head to urge him to come along as well, though he was probably starting the journey himself already. "Ain't your place to be making peace," she said dismissively. She kept close to the right and let her hand trail along the railing to help along the way up. Lola was a solid creature, built to last and weather the worst of storms, but her body was forever exhausted these days and after three flights she's slowed, is taking her time with her steps, but refuses to pant or break a sweat. She was a proud thing, after all.

She'll be waiting for his guidance as to which floor they're stopping at, and so stays a few steps behind him.

"I don't think we're gonna agree on what we were fighting about, so I ain't even gonna try with that subject again. But... I know what your Kinswoman was gonna say before I... 'eh... left. Wanna set that straight, at least. That I don't hide behind bein' a Kinfolk, and that wasn't what I was tryin' ta say." That thread of pride gleams bright, and there's a disgruntled edge to her words. "But I figure that's a conversation for her and not you."

It seems Lola had a number of full and pseudo apologies to make following her actions last weekend.

Milton Kegler

Milton was seated in the hallway at this point, with a smile on his face as he wandered around the building's internal security system curiously on his iPad. How the iPad was interfacing with the local security system would be anyone's guess, but Milton seemed to be having a blast peeking around and seeing what this building had in the way of defenses. It was surprisingly easy for the new moon to lose all interest in what he was doing and find himself sucked into something else.

Erich Storm's Teeth

"Night, Eva," Erich calls after the departing kinswoman who is, he supposes, sort of his ward. Or something. Weird thinking about her like that. Weird and somewhat ill-fitting, especially since Erich is fairly sure Eva has more money, connections, resources and wiles than he ever will. So it's not like she exactly needs to be looked after. "You should come visit upstairs sometime. I mean, you were half the reason our showdown with the Beloved Horror was even the semi-success it was. So. Yeah."

Then she's gone, and it's just him and Lola. And they're trudging up the stairs, and after three flights Erich is obliged to stop because Lola was clearly winded. "Just four more," he assures her, which might not be all that assuring because four more ffs.

"Melantha's not my kinswoman," he adds, almost reflexively. "She's my packmate, but she doesn't belong to anyone but herself. Anyway, yeah. I didn't think you were hiding behind being a kinfolk. At all. I mean I sort of thought you maybe ... should a little more almost? 'Cause dude, challenging full-moons to throw down on a full moon is gonna get you beat up or killed someday. 'Cause some of us have totems that tell us we can't refuse a challenge, you know? Plus, tempers."

He starts climbing again. Four stories. Five. Six. He pauses again:

"Anyway what I'm saying is: I know you weren't hiding behind that. But yeah, that's probably something you and her should talk out. You guys might actually have some common ground. A lot of differences too though.

"C'mon," he says. "One more flight."

Up at the top, an unremarkable steel door opening into the hallway of the ex-Sept. Erich has been camping out there for a while now, and while he doesn't sleep here often, and doesn't even come here every single day, he's here often enough that his scent lingers in the air. Some of his stuff can be found lying around -- a cellphone here, a bag of chips there -- particularly near what used to be the challenge circle.

They don't get that far, though, before they run into Milton. Who is a stranger to Erich. Which instantly prompts the young Ahroun to call, "Hey! Who are you?"

Éva Illésházy

If Éva understood that Erich thought of her as, sort of, his ward, the look she flashes him before the security door swings shut would be considerably cooler and rather more guarded. Instead, there's a quiet beat of her steady regard, the mild twist of the beginning of an ironic little something that reacts not-at-all to the compliment, so much as the invitation.

"I will."

Is all she says, then. There are no other farewells.

Wednesday, November 6, 2013

zeal


zeal

rules!

1. If you guys want to follow a post order, go for it. I only care about everyone posting once for every post I make.

2. The chances of combat occurring are so low I haven't tabulated a "character death" probability but one never knows. Try not to shoot the NPCs and you should make it out with all your health levels.

3. If you have Flaws, hand 'em over.

4. I'm going to make assumptions based on stalking y'all's transcript blogs for setting this up but if you want to supply me with the name(s) of up to 3 Garou (living or recently-deceased) who your character considers "important" I will totally use them against you later.

5. Hold onto your butts, opening post incoming.

Evans

[nightmares, yo]

Dice: 7 d10 TN7 (2, 3, 3, 4, 5, 7, 10) ( success x 2 )

zeal

They all got a letter yesterday.

A few of them are not easy to find and their properties afford them enough of a lookout that they could have seen a visitor coming. Others live in secured buildings. Locks between them and the outside world. It doesn't matter. The letters bear no postage and no return address and they do not recognize the handwriting on the outside.

Thin block letters score their names into the centers of the envelopes' faces. The paper inside the envelopes is yellow, legal, without scent. The handwriting on the letter itself is careful with an edge of anger to it. The author pressed hard but did not smear the ink.

Each letter says the same thing, in the first paragraph:

You and I have never met. I know you have no reason to read this, let alone trust me, yet I write to you in the hopes that you are decent and will meet with me anyway.

The rest of the letter is different for each person.

Evans

Sam finds the letter in her mailbox, along with ads and junk mail and bills and such. When she finishes sorting through the stack she picks up the envelope, frowning a little. The Glass Walker isn't entirely married to the idea of electronics, but paper correspondence? In this day and age? When she opens it her frown deepens.

Well. That doesn't really clear up much. Sam Evans has a lot of friends that are a lot of things. So, is this letter calling out hackers? Members of the queer community? Computer engineers? If there is one thing someone might be worried their sister is, it's a computer engineer.

Garou, maybe?

Whatever it is, despite the angry cast of the handwriting, someone is asking for help. If there is one lesson Samantha Evans should have maybe learned in her time in Denver it's to stop answering calls for help. She's seen so much, nearly died a time or two. She also got a kid, though, so.

She fires off a text to Keisha letting her know that something's up, leaves Jake in the care of the nanny (a Bone Gnawer kinsman by the name of Anthony, by the way, a kind man with a Garou cousin not far away just in case of...well, just in case), and heads out to the Wells Fargo Center.

She pulls her aqua blue CX-5 into the lot, but doesn't get out yet. Instead, she hangs back in the driver's seat, checking her bag to make sure she has all of the essentials. Notebook, wallet, taser, mace, 9mm hand gun, check check check check check.

Lola Hawkes

Lola had received a letter yesterday, pinned under the foot of the small wooden table between two rocking chairs on her front porch. She was immediately suspicious, as such is her nature, but after she'd opened the letter and started reading that feeling was justified. By the time she reached the end of the letter, the suspicion was replaced with defensive anger that boiled in her ribs and flushed her face. It was a watered down, impotent rage compared to what her Cousins carried, but it had her crumpling the letter up in her fist and stomping inside of her house none the less.

The next day she arrived at the Wells Fargo Center as the letter had instructed, approximately ten minutes within the seven o' clock hour. She had parked her old and half-rusted metal deathtrap of a white truck in the parking lot, the vehicle rumbling and creaking in protest on its suspension as it moved from street to lot. She found herself a spot that she could fit the dinosaur of a vehicle into, climbed out, and slammed the door shut behind her.

It's seven on the nose when Lola makes her way around to the front of the very tall building. She only looks out of place because she seems to be searching for something-- wandering, anxious, hunting, but unsure of what for exactly. She wore her long black hair down her back and over her shoulders with a white knit cap to keep her head and the tops of her ears warm. Along with that she wore a thick wool-knit cream colored sweater with cuffed sleeves that hugged her wrists, and a thick red down vest overtop of that. Dark jeans and brown riding boots covered her bottom half, and her hands were jammed into the pockets of her vest.

Along with clothes she wore a heavy scowl, and when her breath huffed in white clouds into the air they were almost reminiscent of a bull snorting steam at a red sheet.

She was hunting for whoever this Matador would be.

Alexis Theron Lambros

Alexis Theron Lambros is, as those people who have met him can attest to, a very calm individual. Many people learn martial arts for many reasons; self-defense, athletic outlet, just so they can beat people up and be a badass. Alexis' reasons were firmly for the first two, and he studied the philosophy along with it. He practices elements of that philosophy, and it gives him a bit of a Zen outlook to complement the teachings of the Nation. As such, there isn't much (well, Phoebe knows one thing, but besides that) which can rattle him.

Mention of certain individuals in conjunction with a potential blackmail threat prompts him to leave all that Zen calmness at the door of his apartment. The letter and its envelope are left crumpled on the floor and he's generally been in a bad mood for the whole of the day afterward. He keeps to himself and calls off his classes for the day, and stays at home until the time is right.

The time is now right.

He shows up at the location, pulling his 1984 Buick LeSabre into the parking lot of the building. He's dressed simply enough, in a grey turtleneck and jeans with a windbreaker over the whole thing. He hasn't come armed, because...well, he doesn't believe in guns. He knows how to use one, but he hates them as a rule, and the weapons he knows how to use don't conceal well. So when he slips out of the car, still frowning, he casts his eyes about the place. Alexis generally has good situational awareness, and he's putting that to use now as he scans the lot, starts to move toward the building front.

Éva Illésházy

By seven full dark has fallen and the city is wrapped in that strange balance of shadow and brilliant, artificial light that seems strange and bright and stirring as the days narrow toward the winter solstice.

Listen, there is a nondescript Lexus parked some indeterminate distance from the Wells Fargo Center. It is not close. The woman who drives is is attractive but not remarkably so. She is careful to check the mirrors and the terms and conditions of the public meters, and careful of her periphery, and careful of so-many-things, but also, not entirely full-of-care.

After all, she is here now, has been here for some time. At 5:30 p.m. she slips into the bar at Randolph's and orders a Scotch that she nurses. Something approximating a meal follows, but anyone closely observing her would note that she does not consume much of either the beverage or the meal, before paying her bill and leaving a generous tip. Oh, but anyone observing her closely is so-observed in turn. This is how things go.

--

Éva arrives before 7. Call it 6:50. She is dressed in business casual attire, carries a leather attaché case.

She is armed in so very many ways.

More than you dare count.

--

When Lola appears around the edge of a tall building, in the shadows of the evening, at seven p.m. on the nose, the Shadow Lord notices. Smirks, mildly and wholly to herself, and turns in an arc for another singular survey of the space before walking up to the Uktena.

The pair are of a height, though Éva is wearing moderately-sensible three-inch heels, which lift her up to 5'10" or so, so perhaps she has to drop her mouth to murmur into Lola's ear.

"Let me guess. You received a letter."

Melantha Argyris

Melantha gets her letter at work, and that's pretty creepy. But that's how it has to come, because the tinyhouse doesn't exactly have an address other than one they have made up. She gets it, and she reads it on her dinner break, frowning, her spine and shoulderblades knotted up with growing discomfort. The first line and the third line are strange -- so hopeless, so plaintive, so needful -- but the lines in between them seem all but threatening to Melantha. Warning. She doesn't like it, and she wants to find this writer and give them a piece of her mind.

She borrows the truck, one more notch in the 'get a second car' vote that's ongoing, and drives down from Evergreen, glad that the promised snows have yet to show up down in the city.

--

The truck is big, and yellow, and... pretty hard to miss. It's been seen at Forgotten Questions for moots and meetings. It's been seen at Cold Crescent for other stuff. Melantha gets out wearing jeans and comfy sneakers. Her coat is knee-length and bulky, very warm, with a thick hood. She got her own hoodie to go under it, a thermal one with sleeves that hook over her thumbs. The hood is down, and her hair -- and there is so much of it -- up in a thick ponytail.

She just gets out of the truck, and sees a stranger, and frowns at him. "Hey!" she says, outright, calling over to Alexis. "Did you send me that creepy letter?"

zeal

Most of the people who work in the Wells Fargo Center and the shorter buildings surrounding it have gone home for the evening. The lots are emptied of everything but empty 20-ounce plastic bottles and cigarette butts and errant bits of paper fallen out of pockets and purses. Foot traffic has bled out and the only people still moving between vehicles and doorways are those with great distances to travel.

For a time the only two bodies out in front of the building are a hard-faced young woman and a sharp-dressed sharp-eyed lawyer. Their breath steams up from their mouths and the wind does not tug at the hems of their garments but the cold seeks to leech the life from them anyway.

More vehicles arrive. More faces they recognize from warmoots or the recent punishment rite. Irony in the meeting but a poetic sort. Melantha and Alexis are the only ones in the parking lot.

If anyone feels as if someone is watching them it is not paranoia bred of the letter's nature. It is the same letter. Sent via email it would have been blindly carbon copied. Maybe the wording would have been more deliberate in its vagueness.

Whoever wrote the letter had to write it five times. Travel to the places they spend the most time. Jam them into door frames or underneath furniture before sneaking off again.

Now she tucks her hair back behind her ears and glances both ways before she crosses the street to walk towards them. At a glance she is a young woman of average height, her build concealed beneath a peacoat, long dark hair beneath a wool cap. They have about thirty seconds before she's at the front of the building with them.

She appears to be alone. They cannot read the nuances of her expression yet. She walks with long strides and keeps her hands in her pockets.

Melantha Argyris

[alertness! do I notice the lady or am I too busy gearing up to yell at Alexis?]

Dice: 6 d10 TN6 (4, 5, 6, 7, 7, 9) ( success x 4 )

Melantha Argyris

Unknowingly, this is how the two Black Fury kin meet each other: the female one, the shorter one, the one who looks and smells to wolves like a scion of their tribe and not a mere... y'know: kinfolk waitress, storming up to him across a parking lot after sliding out of the driver's seat of a giant yellow truck with black racing stripes, which doesn't look like something anyone should drive ever, it's so ridiculous. Making demands. Wanting to know if he's a creep.

He's not, but she doesn't know that yet.

She catches sight of someone else, too. A woman she's seen at warmoots and 'around'. Another one with a little ear-spike that she has also seen at warmoots and 'around'. And the lawyer, who she... also realizes she recognizes. But then someone crossing the street, as unknown as Alexis is. Melantha drops back a step or two, narrowing her eyes at him.

Alexis Theron Lambros

Alexis glances over at Melantha when she shouts his way, brow furrowing. Truth be told, he might be asking the same of her if she hadn't said it first. Perhaps it's cosmic irony that the two Fury kin haven't met yet, or pehaps its fate that they should first meet now, outside of the vicinity of those Garou who mean so much to each of them. Maybe it's just a matter of circumstance. Whatever the reason, Melantha eliminates the need for Alexis to be suspicious, and he shakes his head.

"Not unless I sent one to myself, first." He's already at the edge of the parking lot, and he nods with his head to the other Fury as if to say Coming? And then he's turning round to the front, where he sees Lola and Eva. Two more that he hasn't specifically met, though he saw them both at the judgment the other night. He frowns again and moves to walk toward them.

And as that other person, the new presence who he knows he hasn't met, walks across the street, he has another unknown element. Another blackmail-ee? Or their own person Mister (Ms.) Boddy? And that's when he stops where he is, between the two kin at the front of the door and the parking lot where Melantha and (unrevealed yet) Sam are, watching the woman making her way toward them with hands in pockets.

He's watching those hands closely, switching his attention between the pockets and her shoulders. When someone makes a sudden move, their shoulders are usually where you see it first.

Éva Illésházy

During those first ten minutes, Éva studies the hard-faced young woman while frowning, rather mildly, down at the screen of her tablet. Texting something; responding to e-mails. Involving herself in the digital world to provide herself with a reason for loitering here, at this hour, in this weather, alone in the largely deserted square.

It would be so much easier if she were simply to take up cigarettes, but

instead she looks like a thoughtless professional captured mid-walk by some suddenly pressing something at near-seven p.m. on a Wednesday afternoon.

The girl must know who she is, though. To deliver such correspondences.

Must know who they all are.

--

A sideglance at Lola's expression, long enough to take in what is doubtless some note of resonance over the letter she received. Some confirmation, affirmation: something like a yes.

And Éva is careful, turning her dark head (hair pulled back into a sleek chignon, her suit jacket dark beneath a short dark peacoat. Her 9 mm always within reach) noting the others on the periphery, shadoes against the parking lot.

Notes them, all of them. One by one by one.

And makes a decision, walking toward the girl rather than away, reaching into her left pocket with her left hand for a folded piece of paper.

It is blank but otherwise the color and texture of the letter she received, which was examined and then burned to ash.

"Excuse me," to the hard-faced young woman. " - are you the author of this letter?" The paper flashes white against the darkness, then disappears into back into her left pocket.

Evans

Sam sits in her car, watching as people arrive, a stranger storming toward her friend, and another stranger headed for the building. It's a few minutes after seven now, so this has to be it. These people probably received letters, as well, and chances are decent that this other newcomer headed toward Lola and Eva is the one who sent it. Or the young woman storming toward Alexis is.

Sam opens the driver's side door and slips down onto the pavement. Quietly, she shuts the door behind her and heads with a quiet, swift efficiency toward Alexis. If the other stranger turns out to be a threat she's pretty sure Eva at least will have that area covered.

As she gets closer she realizes that's no stranger at all, but a young woman she's seen before, at the last warmoot probably, or somewhere in the crowd for the punishment. And then Alexis is giving Melantha that Come along, Pond head nod Sam recognizes. She does not ask them to wait up. Sam may be the shortest of the lot by nearly half a foot, but she doesn't need people to make allowances for her just because of her stature.

So it is that she arrives at the cluster of Kinfolk a little late but just ahead of the stranger.

By way of greeting, she looks around and simply asks, "Letter?" Her long brown hair is down beneath a blue knit cap and her hands are tucked into the pockets of a fitted olive green jacket. Her jeans are snug as well, her boots comfortable, good for kicking or for running, whichever comes first.

Lola Hawkes

There's a tell-tale 'clack clack' of heels on pavement that catches Lola's attention, and she turns sharply to face the sound, eyes sharp and wide and a dead giveaway to the woman's intent for half a second. Whoever it was that summoned her here was in for it, simply put. But recognition dawns upon the Uktena Kinswoman soon enough, as she's seen this older dark-haired white woman at several Moots. She's a Shadow Lord Kinfolk, and she could be trusted, so Lola's body language relaxes (only a little), and she turns to face Éva more directly.

The question is met with a huff of air through her nostrils, but not blown into the face of the inquirer. "Sure did."

She didn't ask how the older woman was lured out here, or what her letter had said. She knew they wouldn't be identical, hers was very specific to her after all. However, it became clear after a glance past Éva's shoulder to spy one unfamiliar face and one that she recognized as a Kinfolk, soon joined by one that she knew to be Reese's sister, that this was a summoning of Kinfolk. They were all called out here, probably for the same reason.

Lola growled under her breath to the thirty-something (forty-something?): "This reeks of a trap."

Then, bit by bit, their attention all turns to a woman who is crossing the street to join them in front of this massively tall skyscraper. Éva turns and approaches first, asking the question that they all wanted to know. Lola kept her hands in the pockets of her vest, flicked her eyes to the other three that were congregating toward the area as well, then followed after Éva on flat-soled boots. She didn't crowd the older woman, but she would fall to stand at her side, looking imposing and brooding but saying nothing-- just glaring at the woman and waiting for an answer with what is clearly baited breath.

Melantha Argyris

[Correction to previous post: cut out everything after 'know that yet'.]

zeal

The woman wears running shoes with the laces tucked down. They will not flap or come untied if she decides to bolt. Her jeans are boot-cut and fit snug to her legs. She walks as if she is used to taking her time to get from one place to the next.

And as she draws closer her pace does not slow but the light in her eyes mutes itself and she looks from one face to the next to read what it is she's walking into. This is a meeting of her own making but that letter did not tell them anything other than that if they did not meet her here she would come for them.

It may well be an idle threat. The woman's posture is impeccable and she carries herself as if the repercussions for slouching are heavier than whatever she wears beneath her coat. The coat conceals her weapon but not the presence of the holster she wears.

Her cheekbones are covered in freckles. Her hair and her eyes look the same color in the dark. Yellow street lamps are all they have to push the night back away from them. When the attorney speaks the woman looks to her. She worries her lower lip before she answers.

"Yes," she says, and nothing else.

Evans

[percept (insightful) + empathy (emotional states)]

Dice: 8 d10 TN6 (1, 1, 2, 3, 6, 7, 9, 9, 10) ( success x 5 ) Re-rolls: 1

Alexis Theron Lambros

[[Per+Emp]]

Dice: 5 d10 TN6 (1, 2, 4, 4, 8) ( success x 1 )

Lola Hawkes

The instant the word 'Yes' leaves the woman's mouth, Lola is a flurry of motion. Her feet move her forward a step and a half, and her hands fly out of her pockets so that they can shoot forward toward the female. Anyone with an eye trained for combat can tell that she's not trying to strike or punch-- she isn't throwing from the hip or shoulder, so that doesn't apply. Anyone without that trained eye, though, will probably be convinced that Lola's going to initiate a brawl because her lips peel back from her teeth and she's already making a gutteral noise in her chest and throat, the sound mingling with and eclipsing the 's' on the woman's answer.

She doesn't hit, but she does seize the woman by her coat-- collar preferably, but lapels or simply loose fabric at the front will be accepted. Lola's difficult to escape like this-- she's fast, she's strong, and when she gets a grip on the coat her grasp is like steel wire.

The poor woman gets two solid shakes by her jacket before Lola snarls in her face.

"Don't you ever fucking lay threats down on me and mine again. 'Don't make me come to you'? Bitch, you wouldn't make it halfway."

Éva Illésházy

"An absurd sort of trap," Éva remarks back to Lola, rather agreeably and remarkably quietly before she approaches the strange woman. All the work put into those letters and their delivery, merely to draw them here? If Éva intended to hunt someone, she would not alert them to the game ahead of time.

Why do anything other than shoot to kill?

"More than this one, I think." An arched and singular brow and a cool dark stare that rises from the strange around the space, then falls back to her. "Which seems to have been quite the task to undertake. Did you do it of your own volition - "

Then Lola is stepping forward, lips peeling back from her teeth, all-in-motion, reaching for the girl's lapel. Éva grits her teeth, a supple spasm of motion in her temple, and makes a gesture intended to stay or still or forestall Lola before the Uktena actually grabs the girl, in hopes of giving Lola pause before she does make that grab. She will not, however, physically put herself between the two.

Lola Hawkes

Éva will make an effort to stop Lola, gesturing with a hand or expression or otherwise that this is a poor choice.

Lola likes Éva. Hell, she may even respect her. But Lola's been thinking about doing this since she decided simply shooting whoever was unfortunate enough to fess up would be too extreme. She would not cease her action for the older (wiser) Kinfolk's silent suggestion.

Alexis Theron Lambros

The woman approaches and the kinfolk start to converge on her. And Alexis is willing to let them before Lola steps forward and starts snarling threats. Just like that, the Fury kin is moving foward. He's not rushing with aggressive intent, but he's still moving quickly as he tries to get between the two women.

"Whoa, easy," he says to Lola as he puts a hand on Lola's shoulder. He can take a punch if she needs to unleash one at a target; while Alexis is in fact combat trained and knows she's not going to hit the woman, she may need somewhere to throw that anger so they can handle this. Alexis is none too pleased with this woman either; he doesn't get angry often but he's pissed right now. Still, threatening a blackmailer is usually not wise. They're often desperate or have contingency plans. And he noticed that holster, too.

"Let's step back a moment, and talk." He shoots a glare to the mystery woman, one that strongly suggests that the key word in there is talk.

zeal

[ST note: ret-conning Mel out of the scene because reasons. I have to adjust a few things but another post is coming.]

zeal

[oh right i didn't do this yet

manip + subt]

Dice: 4 d10 TN6 (1, 4, 9, 9) ( success x 2 )

Éva Illésházy

This deep and frustrated noise, back-of-the-throat. Whatever else the woman might have said is forestalled by Alexis' intervention. Éva takes a distinct step backwards as he puts himself between the two women.

This lingering irony in the shape of her mouth. Much of what she intended to say is swallowed, changed, redirected with a glance at the stranger. Over the heads of the other two kin.

"Is that the reaction you wanted? If so, I think you earned it. What exactly is it that you want out of this."

Éva Illésházy

For ST reference: Perception + Subterfuge. Spec: hidden motives. Looking for: in any answers she gives, whether she is being deceptive.

Dice: 7 d10 TN6 (3, 3, 4, 5, 6, 6, 7, 10) ( success x 4 ) Re-rolls: 1

Evans

Sam hangs back a bit, a little to the side of Alexis until Alexis is moving to touch the Uktena kinswoman. For a moment, people are mostly focused on the potential for violence, for either a punch or a good shaking. Most of them, that is, except for Sam.

Sam who is looking at the woman, her own expression calm and just shy of pleasant for all that she received a similar threatening letter. Whatever was written in hers, though, it didn't drive her to a fury of protectiveness for the ones she cares about. Her eyes, too dark to display color in the dim evening light and lined with heavy black liner, shift to Lola before returning to the woman.

"That will probably make you feel better, but-" but then Eva speaks up and Sam cedes the floor to the older, more experienced kinswoman.

zeal

If the woman does not anticipate the rural woman leaping forward to grab and shake her then she does not react to it. But: she knew enough else about her to lance fear and anger up out of her in less than one written page. She does not react because she is not surprised.

The eldest of the four allies attempts to stop her and the only man present attempts to calm her. With a fist wrapped around her collar the woman stands stock still and watches Lola's face without staring at her. Watches too Éva. Samantha doesn't get very far with her sentence but she can read familiarity in the way the woman carries herself and speaks.

Anything she says Éva will be able to tell if she is lying. As of right now all she has to go on is what was in the letter. She thinks her sister is one of them.

"I don't know which it was," she says and now that she speaks more the Kinfolk can make out an Eastern European crackle to her accent. "But one of your friends bit my sister."

Alexis Theron Lambros

He's got his hand on Lola's shoulder, and he's half-expecting an attack from her. He wouldn't be surprised. Maybe he's expecting the woman to shoot them in panic from being semi-assaulted, or a sniper that the woman has as a backup taking a shot from a hidden location.

He was expecting a lot of things. He wasn't expecting to hear

THAT.

He really doesn't mean to be rude. It's not laughing at her, really. But...come on. And so he looks at the woman and a full moment of laughter gets out before he has a chance to try and swallow it back.

"Oh, for..." He shakes his head, still trying to hold back a chortle. It's just so...well, COME ON. "No one bit your sister. I can promise you that."

Evans

Sam's expression quirks, eyes narrowing a little as her mouth turns upward in a slight, disbelieving smile, the sort of smile that graces one's face when they're not sure if a joke has just been made. At least she doesn't laugh, c'mon, Alexis, rude much? She didn't get very far with her sentence, which was going to lead into a question, but the answer to that question comes anyway.

"And you thought, what? You'd tattle to us and ask us to keep our friends in line?"

Of course she would, she thinks, because if she made it through the Delirium knowing her sister was bitten by Garou she's probably afraid to face their shifting cousing head on.

Then again, she doesn't seem terribly afraid at the moment. Maybe she doesn't know what sort of people she's drawn out.

Lola Hawkes

Alexis was a man that Lola had never met before, but here he was walking up and clapping a hand on her shoulder and trying to (gently, in his defense) tell her to step back and step off. Lola at this point seems to be all but ignoring the other Kinfolk there, but at least she isn't redirecting her anger where it isn't deserved. Alexis isn't hit for touching her. Hell, his hand isn't even shrugged off of her shoulder. But she does keep a firm hold on the woman's coat, and seems even more bothered by the fact that she didn't get anything close to a reaction out of her.

When the woman speaks, expressing worry that one of their lot bit her sister and now she's changing, Lola scoffs noisily and shoves the woman backward-- hard enough that she would be forced to stumble at least one step back to maintain her balance. Lola's feet, though? They don't move from where she's planted them on the concrete. This is her claiming ground and standing it, and she won't be moved.

But hey, at least she's not shaking anyone anymore.

"Don't be fucking retarded. If you know enough about us to know where to find us, how to get us here, and if you know....--" Well, whatever it was that this stranger knew about Lola was clearly something that she didn't want to talk about and spit into the public air, so she cut herself off and sneered instead. "You know full well that's not how that works. Cut to the goddamn chase, we ain't idiots."

Éva Illésházy

"I can see why you're concerned, then." Éva returns without so much as cracking a smile. There is a degree of concern and a degree of professional composure and no real warmth in her eyes, but the competence is can be soothing.

Then Alexis: laughing has Éva shooting him a brief and quelling look. It is a glancing blow, before she returns her attention to the stranger, but seriously and quite precisely.

The flare of her nostrils.

Neither Sam nor Lola receive the same look, primarily because there are only so many directions one can glance at once. The first rule of dealing with the unknowing or insane or the egomaniacal and so many in between is to cede them the rules of the universe. Grant them their world and let them describe it for you.

Also: Éva knows that the woman is not lying. She believes what she says.

"Excuse them. I for one take this very seriously. Where is your sister? Is she still injured? Or is she experiencing...

"Other symptoms."

Éva Illésházy

Manipulation + Subterfuge: biting is absolutely how werewolves are made, yes you are right I totally believe you crazy lady.

Dice: 7 d10 TN6 (1, 1, 3, 6, 6, 6, 7, 10, 10) ( success x 6 ) Re-rolls: 2

zeal

[perc + subterfuge: i call bullshit.]

Dice: 6 d10 TN6 (3, 6, 6, 8, 9, 10) ( success x 5 )

zeal

Alexis laughs and she does not react.

Samantha asks if she is tattling, thinking she is going to ask them to keep their friends in line, and she looks as if she is going to bust out into a cousin of the laughter that gripped Alexis. Whereas his laughter was born of relief thinking the woman before them to carry ignorance with her hers has a different sire.

Her hands haven't left her pockets. They are still there even as Lola shoves her back from her. The woman takes one step back to maintain her balance and another to regain her stolid footing. She shakes her head to free her shoulders from the curls fallen down over them and she smirks.

"'Other symptoms.'"

The woman chews her lower lip again and looks away a moment. The glance away is not a tell. Wherever she parked is not within her line of sight. Soon her eyes come back to them.

"Your friends and the things they fight... they're all the same to me. If I have to, I will put her down myself. But I thought we could come to an arrangement, seeing as you know things I do not know."

Alexis Theron Lambros

The laugh, to his credit, does go away. It was already on its way to gone before Eva threw him that look. It was more a reaction of relief and just an emotional release than anything else, not that it would be interpreted as such. Truth be told, he already feels a little bad for it, but that's just the way it is.

And it's CERTAINLY gone when she says she might "put her down," her being the sister in question. That draws all the humor off his face, and he looks at her more closely now. Frowns.

"Your sister. Blood relative, or adopted?" He glances at the other kin and then back to her. "What sort of arrangement are you talking about?"

Éva Illésházy

"What symptoms?" A brief, lifting query. "I ask because it is possible that the infection has not yet spread. She could be cured, depending how far this has gone.

"Someone would have to examine her closely, and determine whether the infection can be contained or eradicated. You understand the delicacy of the situation. Give us her name and her address, we will look into it and have someone contact you to let you know if recovery is possible.

"Or if a more final solution is necessary."

Evans

The woman wants to make a deal, Alexis (and Sam) want to know what sort of deal. Preferably one that doesn't have some close or unrelated family member getting killed. And preferably that doesn't have this woman asking for access to other supernatural creatures. She is a benign threat, but a threat none the less.

Sam Evans, though? Sam is not a threat to anyone, not unless she needs to be. Her smile of disbelief melts into something pleasant and friendly. It's perhaps a strange counter to Lola's aggression and Eva's sharp tone. But hey, sometimes you catch more flies with honey.

"I'm interested in names, too," she says. "Like yours for one. How do we know we can trust you to stick to any kind of arrangement you propose?"

[I am totes your friend: charisma (charming) + empathy]

Dice: 8 d10 TN6 (1, 2, 2, 7, 7, 8, 9, 9, 10) ( success x 6 ) Re-rolls: 1

Lola Hawkes

Alexis asks about this relative, if they are blood related or adopted to be made sister to the woman who didn't react to Lola's up-front aggression or Alexis's laughter.

Éva said that the infection could be spreading and tried to pull information from this woman as to the whereabouts of this sister.

Lola still didn't even believe that this sister existed.

The Uktena scoffed again, and swung her arms in front of her, then back to her sides, then in front again a couple of times. Each time that her hands met in front of her, it waso to roughly tap the side of a tight right fist in the curved palm of the other. This made a jarring clapping sound each time it happened. Thankfully it only went on for about four turns.

"Whoa, now. Before any goddamn thing else--" And she cuts a sharp look back to the other three Kinfolk, eyes burning hard on all three faces for a half a second at a time. Her eyes are quick to return to the stranger, though. "Who the fuck are you? To know as much about me and probably these others here, to have looked that deep into our lives, I don't trust a fucking thing that's come out of your mouth yet tonight.

"Shit. I doubt this sister even exists."

zeal

They have more questions than she has given them answers and they do not have a name for her though she not only has their names but their addresses and the names of their loved ones. In some instances this woman has information that not even the rest of the Nation has. Knows those who have died recently and those who are not even born yet.

If she had reached out to the werewolves themselves they would have cut her down right here or dragged her in for questioning.

Alexis knows that Phoebe and Thomas would have wanted her checked for taint. Keisha and Tamsin would have wanted to follow threads back to her sister, if she has a sister, if she is not out here alone and insane trying to goad them into giving up more information. Even Lola can't reliably predict what Hector would have done but they all know what Erich would have done.

There's too much variability when dealing with the ones actually perpetuating the War. This woman considers her options. If she were lying about the sister Éva would have seen it.

That Sam projects an air of trust and companionability - that it is an air - is lost on the woman. She's too distracted now by all of the questions and all of the possible ends to this ride she's started.

"She does exist," she says. "For now. If the day comes I do not recognize her, then no. This sister will not exist. She is my twin, Mister Lambros. And this was all her doing. I will take responsibility for not stopping her sooner, but... we all have reasons for doing the things we do, yeah?

"If you can stop this, whatever it is that made your friend bite her, I will give you everything we have. The computers, the notebooks. Our guns. All of it. And you'll never hear from us again. That is what I propose."

She pulls a business card out of her pocket. On the back she has written another address. She hands it to Éva.

"Meet me here at the same time next Friday, if you accept. My name is Nina."

That isn't her full name but it's enough for mystics to work off of. She leaves them with that. Turns and walks back the way she came. That's another difference between them and their cousins. She would have never given a wolf her back.

Evans

Sam's aura of trust and kindness isn't so much an air as it is a projection of her self. She is kind. She draws frightened Black Spiral Dancer cubs into the circle of her arms not because she'd want her last act on this earth to be one of kindness, but because that is the kind of selfless person that she is. She rescued a squalling baby from a burning bar not for praise or accolades, but because that is what you do when the helpless are trapped in danger.

She is good, is Sam Evans. That does not mean that she is trusting. The woman - Nina - turns and walks away and Sam, whatever the others do, she hangs back a bit. Waiting to see if Lola has another burst of fury to get out to draw attention. When it's quiet, though, Sam glances at the others, tips her chin in farewell, and she tails the woman. Not far, just enough to catch a license plate number or see which bus she catches.

[dex+stealth, +WP]

Dice: 4 d10 TN6 (6, 7, 8, 9) ( success x 5 ) [WP]

Lola Hawkes

There is an instance that the sister does insist, and the woman continues on in a flat tone and provides some information. It's not nearly what Lola would have wanted, and not necessarily what she was asking after in the first place. She wanted very much to know where this woman got her information and how she was able to find it there in the first place-- why she would have been prompted to dig, where she would have located their identities to even begin that digging.... This was the biggest, most important thing for her to understand because, you see, Lola is as territorial as the literal wolves she calls her cousins.

But.

She gets a name (probably a fake one), and a flimsy lead (although the address on the back of the business card would be checked into immediately), and that's all the woman provides before she turns her back on them and starts walking away. A more hotheaded Lola would have persued, would have forced hands away from the holster that she knew was there, would have knocked her skull into the pavement a few times and would have fought anyone that tried to stop her, or simply ignore their blows and pulling arms until she'd gotten what she wanted.

The Lola that stands her tonight instead takes a deep breath of cold air as though it can cool the fire in her chest, rolls her shoulders back so her chest is pushed out a bit and her back is straightened and her overall posture is larger and more intimidating, and says nothing.

She'll glare after the woman as she leaves, wait until she is out of earshot, and then say harshly to Samantha, Éva, and Alexis the three of them (this prior to Samantha sneaking off, as the Glass Walker was waiting for the Uktena to make her move anyways): "I'll give you one guess as to where I'm going." She taps the business card against her palm in indication, then slips it into her pocket and starts a distance-consuming long-legged stride back to where she parked.

Éva Illésházy

Éva accepts the business card with precise, fine fingers. Glances at the address, then lifts her dark eyes back to the woman's face. Steady, quiet, withheld. Shielded, assuredly. There is a quick-curl to her mouth, which is not quite smoke and is not-quite fire and is more and less than both.

She is remarkably careful, watching the stranger walk away. Allowing the name to unfold in her tongue, consider the diverse knot of other kin to whom the woman issued whatever she issued: pleas or threats or something in between. When Nina is out of earshot, she allows the other three to inspect the business card. The name, the address. To write anything down that they desire.

Then she glances at the rest.

"Someone's going to have to meet her. I think it would be best to bring a shaman along, as well, at the very least. Perhaps the sister is a cub. Perhaps she's Fallen, or falling.

"Stay in touch," the Shadow Lord counsels the Uktena. With a faintly ironic smile. " - and if you do go looking prior to the meeting, try not tip your hand."